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|
| Artist |
Title |
Album |
Year |
Comment |
Begin |
End |
Length |
| Playlist complete, in order, with nearly every appearance itemized (sources collaged and layered together simultaneously) |
| Fleetwood Mac | Sara | Tusk | 1979 | Loop | 0:00:00 | 0:01:14 | 01:14 |
| Valentino Sound Effects Library | Air - Air conditioner | Volume 8 | | | 0:00:17 | 0:03:38 | 03:21 |
| Fridge | Harmonics | Happiness | 2001 | | 0:01:14 | 0:03:31 | 02:17 |
| Fridge | Harmonics | Happiness | 2001 | | 0:02:23 | 0:07:00 | 04:37 |
| Dufus | Anouk | In Monstrous Attitude | 2009 | | 0:02:45 | 0:02:54 | 00:09 |
| La Dusseldorf | Rheinita | La Dusseldorf / Viva | 2005 | | 0:02:59 | 0:08:56 | 05:57 |
| Dufus | Anouk | In Monstrous Attitude | 2009 | | 0:03:07 | 0:03:15 | 00:08 |
| Dufus | Anouk | In Monstrous Attitude | 2009 | | 0:03:41 | 0:03:54 | 00:13 |
| Michael Crichton | TV captures attention,people spend their lives staring at screens | Looker (1981) director commentary | 2007 | | 0:04:23 | 0:04:28 | 00:05 |
| Michael Crichton | TV captures attention,people spend their lives staring at screens | Looker (1981) director commentary | 2007 | The television can capture attention in a way, and take you away from real life. I think it's become more true as a quality of human attention, that not necessarily so much for television, but I sometimes think that more and more of humankind spends their days looking at screens. Meanwhile, kids are neglected, spouses are neglected, relationships, families, everything's neglected, we're looking at the screen. And whether it's the internet now, or whether it's DVD's, iPods, whatever it is, we're not, we're not in the present; we're in the image. | 0:04:40 | 0:05:27 | 00:47 |
| Pete Townshend | You're So Clever | Scooped | 1980 | | 0:05:13 | 0:05:33 | 00:20 |
| Pete Townshend | You're So Clever | Scooped | 1980 | | 0:05:31 | 0:05:46 | 00:15 |
| Pete Townshend | You're So Clever | Scooped | 1980 | | 0:05:43 | 0:06:34 | 00:51 |
| Fridge | Harmonics | Happiness | 2001 | | 0:05:58 | 0:07:42 | 01:44 |
| Pete Townshend | You're So Clever | Scooped | 1980 | | 0:06:32 | 0:06:50 | 00:18 |
| Jonny Greenwood | Open Spaces | There Will Be Blood s.t. | 2007 | | 0:06:43 | 0:12:57 | 06:14 |
| Pete Townshend | You're So Clever | Scooped | 1980 | | 0:06:48 | 0:07:08 | 00:20 |
| Pete Townshend | You're So Clever | Scooped | 1980 | | 0:07:06 | 0:07:23 | 00:17 |
| Dufus | Anouk | In Monstrous Attitude | 2009 | | 0:07:14 | 0:07:45 | 00:31 |
| Fridge | Harmonics | Happiness | 2001 | | 0:07:39 | 0:16:48 | 09:09 |
| Alan Watts | Intellectual Yoga | Philosophies of Asia | | | 0:07:48 | 0:07:51 | 00:03 |
| Alan Watts | Intellectual Yoga | Philosophies of Asia | | So long as you can be pursuaded that there's something more that you ought to be than you are, you've divided yourself from reality, from the universe, from god, or whatever you want to call that. | 0:07:54 | 0:08:14 | 00:20 |
| Big City Orchestra | A Child's Garden of Noise | A Child's Garden of Noise | 1994 | ...I wish there was a sign that said, "noise, please." Yes, maybe there ought to be a sign like that. | 0:08:19 | 0:08:52 | 00:33 |
| Timothy "Speed" Levitch | The grid plan | The Cruise | 1998 | | 0:08:46 | 0:10:09 | 01:23 |
| Valentino Sound Effects Library | Air - Air conditioner | Volume 8 | | | 0:09:24 | 1:08:57 | 59:33 |
| Gundecha Brothers | Hum Sab Mahi - Raga Bhairavi | Hum Sab Mahi | 2009 | | 0:09:31 | 0:20:42 | 11:11 |
| Bill Nelson | The Spirit Cannot Fail | Chance Encounters in the Garden of Lights- (1) The Angel at the Western Window | 1987 | Never let anything cause you to doubt your ability to demonstrate truth. | 0:10:12 | 0:12:19 | 02:07 |
| Jonny Greenwood | Open Spaces | There Will Be Blood s.t. | 2007 | | 0:10:27 | 0:17:58 | 07:31 |
| Jonny Greenwood | Open Spaces | There Will Be Blood s.t. | 2007 | | 0:11:05 | 0:11:15 | 00:10 |
| Fleetwood Mac | Everywhere | Tango in the Night | 1988 | 11 middle everywhere loop | 0:11:19 | 0:12:16 | 00:57 |
| Pete Townshend | You're So Clever | Scooped | 1980 | | 0:11:45 | 0:11:55 | 00:10 |
| Fleetwood Mac | Gypsy | Mirage | 1982 | Gypsy loop | 0:12:14 | 0:12:53 | 00:39 |
| M. | On UVA bookstore | | 2012 | What the guys and girls buy on their parents' accounts, unitemized | 0:12:44 | 0:17:40 | 04:56 |
| La Dusseldorf | Rheinita | La Dusseldorf / Viva | 2005 | | 0:13:10 | 0:19:36 | 06:26 |
| Timothy "Speed" Levitch | The grid plan | The Cruise | 1998 | | 0:14:23 | 0:15:08 | 00:45 |
| Orson Welles | Videotape TV static | | | | 0:15:50 | 0:22:02 | 06:12 |
| Orson Welles | Interview | | | If they don't like what you do, really...I was going to show them that they were wrong, and I've spent the rest of my life showing people, trying to prove that what is said is wrong, and that's been an enormous waste of spirit and of energy. | 0:16:17 | 0:16:36 | 00:19 |
| Fridge | Harmonics | Happiness | 2001 | | 0:16:45 | 0:21:48 | 05:03 |
| Strom Carlson | NV Bell Payphone in Pahrump - March 2004 | | 2004 | Telephone recordings | 0:16:59 | 0:18:31 | 01:32 |
| Herb Alpert & The Tijuana Brass | Mexican Road Race | S.R.O. | 1966 | Martin's recording from father's vinyl | 0:17:29 | 0:19:12 | 01:43 |
| Neil Diamond | America | Jazz Singer | 1984 | | 0:17:52 | 0:20:37 | 02:45 |
| Alan Watts | Intellectual Yoga | Philosophies of Asia | | | 0:18:38 | 0:18:46 | 00:08 |
| Holcombe Waller | Hardliners | Into the Dark Unknown | 2011 | | 0:19:00 | 0:19:54 | 00:54 |
| Herb Alpert & The Tijuana Brass | Mexican Road Race | S.R.O. | 1966 | | 0:19:13 | 0:19:15 | 00:02 |
| Joe Jackson | Another World | | 2001 | 01 full double part loop | 0:20:19 | 0:21:43 | 01:24 |
| La Dusseldorf | Rheinita | La Dusseldorf / Viva | 2005 | | 0:20:46 | 0:26:02 | 05:16 |
| Talking Heads | Sax and Violins | Popular Favorites 1984-1992 in the Vaseline | 1988 | | 0:21:25 | 0:23:42 | 02:17 |
| Timothy Busfield and Ken Olin, actors; Joseph Dougherty, writer; Tom Moore, director | Season 2, episode 13 | thirtySomething | 1989 | There's a price, no matter what you do, there's going to be a price. So, you know what you do? You find out what's important and you make boxes. And in this box, you have what it takes to work with somebody like Miles, and in this box, you have what you take home to Janey and to Hope, that's how you get through. So, that's the key to happiness, a little self-induced schizophrenia? ... You want to have a life here, today, then pick your fights and learn to compromise. | 0:21:57 | 0:22:23 | 00:26 |
| Ricky Gervais | You don't need everyone on the planet to like you | Time Interview | 2007 | More people hate it than like it. Obviously. Luckily, you don't need everyone on the planet to like you. So, you do it for you and like-minded people | 0:22:27 | 0:22:45 | 00:18 |
| Timothy "Speed" Levitch | The grid plan | The Cruise | 1998 | ...By saying that everyone likes the grid plan, you're saying I'm going to relive all the mistakes my parents made. I'm going to identify and relive all the sorrows my mother ever lived through. I will propagate and create dysfunctional children in the same disfunctional way that I was raised. I will spread neurosis throughout the landscape and do my best to recreate myself and the damages of my life for the next generation. | 0:22:51 | 0:23:36 | 00:45 |
| Dondero High School A Capella Choir | Fox on the Run | Pop Concert 1996 | 1996 | Sweet cover (1974) | 0:23:18 | 0:25:51 | 02:33 |
| Timothy Busfield and Ken Olin, actors; Joseph Dougherty, writer; Tom Moore, director | Season 2, episode 13 | thirtySomething | 1989 | | 0:23:48 | 0:23:51 | 00:03 |
| Fleetwood Mac | Everywhere | Tango in the Night | 1988 | Various loops | 0:23:55 | 0:34:12 | 10:17 |
| Orson Welles | Interview | | | I don't believe there is any wisdom in compromise, unless you're a politician. And to the extent that movies are politics, I don't belong in movies. I cannot compromise. When I do something which is compromised, it is poorer than a second-rate director's picture. My pictures don't work at all unless they work my way. It's not because I think they're better that way; they simply fall apart unless they're done my way. | 0:24:12 | 0:24:48 | 00:36 |
| Timothy "Speed" Levitch | Working for a living | The Cruise | 1998 | One of the great tragedies of this experiment called civilization is the fact that people have to work for a living... | 0:25:18 | 0:26:28 | 01:10 |
| Ludwig von Beethoven | Variation V Si prenda il tempo un poco piu vivace | Beethoven Vol. 8 Cello Sonatas (Maisky - Cello, Argerich - Piano) | | | 0:26:50 | 0:26:54 | 00:04 |
| Harrison Ford & River Phoenix (actors), Paul Theroux (novel), Paul Schrader (screenplay) | America is a toilet | Mosquito Coast | 1986 | Look around you. How did America get this way? Land of promise, land of opportunity. Give us the wretched refuse of your teaming shores. Have a Coke, watch TV, have a nice day, go on welfare, get free money, turn to crime (crime pays in this country). Why do they put up with it? Why do they keep coming? Look around you, Charlie: This place is a toilet. | 0:27:07 | 0:27:39 | 00:32 |
| Harrison Ford (actor), Paul Theroux (novel), Paul Schrader (screenplay) | We eat when we're not hungry | Mosquito Coast | 1986 | We eat when we're not hungry, drink when we're not thirsty, we buy what we don't need, and throw away everything that's useful. Why sell a man what he wants? Sell him what he doesn't need. Pretend he's got eight legs and two stomachs and money to burn. It's wrong, wrong, wrong. | 0:27:38 | 0:27:52 | 00:14 |
| Harrison Ford (actor), Paul Theroux (novel), Paul Schrader (screenplay) | It's an absolute sin to accept the decadence of obsolescence. | Mosquito Coast | 1986 | It's an absolute sin to accept the decadence of obsolescence. Why do things get worse and worse? They don't have to; they can get better and better. We accept that things fall apart, but they don't have to. Things can last forever. | 0:28:10 | 0:28:21 | 00:11 |
| La Dusseldorf | Rheinita | La Dusseldorf / Viva | 2005 | | 0:28:23 | 0:31:39 | 03:16 |
| Harrison Ford (actor), Paul Theroux (novel), Paul Schrader (screenplay) | We eat when we're not hungry | Mosquito Coast | 1986 | | 0:28:45 | 0:29:28 | 00:43 |
| Steven Jesse Bernstein | More Noise Please | Prison | 1992 | ..can't live without all this goddamn noise. Maybe I need the noise to write poems, make love and eat. I'm going to hang a sign out my window that says, "more noise, please," or, "thank you for making noise." Maybe we are the kind of people who need to have what we don't want just to get along, to do the basic things... Myself, I could not sleep last night. I could not close the window, either. I tried to tear the window out of its frame. | 0:29:33 | 0:30:18 | 00:45 |
| Timothy "Speed" Levitch | The grid plan | The Cruise | 1998 | ...the grid plan emanates from our weakness | 0:30:07 | 0:30:51 | 00:44 |
| Joe Frank | Grace requires degradation | Another Country Pt. 3 | 1986 | ...to have so much beauty, perhaps you have to have this much degradation. | 0:31:04 | 0:31:10 | 00:06 |
| Ida | My Fair, My Dark | My Fair, My Dark | 2006 | Various loops | 0:33:23 | 0:36:34 | 03:11 |
| Joe Frank | Hamburger paper waste | Another Country Pt. 3 | 1986 | The hamburger is made. 30 seconds later it's been wrapped in paper, which is put in a box. 15 seconds later, that box has been put in a bag with a napkin, and 10 minutes after that, the bag... | 0:33:48 | 0:34:02 | 00:14 |
| Fridge | Lost Time | The Sun | 2007 | Various loops | 0:35:35 | 0:47:46 | 12:11 |
| Timothy "Speed" Levitch | Running from the cops all my life | The Cruise | 1998 | ...According to them I was running from the cops for a month before they caught up to me. ...and I felt like a fugitive. But you know what? Every day I feel like a fugitive. It never occurred to them that I am running from the anti-cruise every day. And when I was up in front of the judge for my arraignment, the judge said my biggest problem with this case is that this guy, this current person we're judging, ran from the police for a month. And if I could've spoken, of course I wasn't allowed to speak, I would've said, it's been a lot more than a month. I've been running from you people all my life, all my life, and I'm going to keep running. | 0:36:05 | 0:36:48 | 00:43 |
| Gundecha Brothers | Hum Sab Mahi - Raga Bhairavi | Hum Sab Mahi | 2009 | | 0:38:43 | 0:38:48 | 00:05 |
| Dufus | Anouk | In Monstrous Attitude | 2009 | | 0:39:32 | 0:40:03 | 00:31 |
| Belle and Sebastian | Storytelling | Storytelling | 2002 | 02 1st piano loop | 0:40:09 | 0:40:49 | 00:40 |
| La Dusseldorf | Rheinita | La Dusseldorf / Viva | 2005 | | 0:43:29 | 0:43:33 | 00:04 |
| Malcolm Clarke | Romanescan Rout | The Radiophonic Workshop | 1975 | Or perhaps 2002 remaster | 0:45:04 | 0:45:45 | 00:41 |
| Bill Nelson | The Spirit Cannot Fail | Chance Encounters in the Garden of Lights- (1) The Angel at the Western Window | 1987 | | 0:47:12 | 0:48:53 | 01:41 |
| Belle and Sebastian | Storytelling | Storytelling | 2002 | 02 1st piano loop | 0:47:36 | 0:48:59 | 01:23 |
| The Carpenters | Calling Occupants of Interplanetary Craft | Passage | 1977 | Like a Disney cult song. Cover of 1976 Klaatu song. | 0:48:23 | 0:50:08 | 01:45 |
| La Dusseldorf | Rheinita | La Dusseldorf / Viva | 2005 | | 0:48:54 | 0:50:27 | 01:33 |
| Fridge | Harmonics | Happiness | 2001 | | 0:49:08 | 0:53:13 | 04:05 |
| Toto | Rosanna | Toto IV | 1982 | | 0:49:57 | 0:50:01 | 00:04 |
| Fridge | Harmonics | Happiness | 2001 | | 0:50:17 | 0:52:01 | 01:44 |
| Fridge | Harmonics | Happiness | 2001 | | 0:50:34 | 0:54:41 | 04:07 |
| Malcolm Clarke | Romanescan Rout | The Radiophonic Workshop | 1975 | Or perhaps 2002 remaster | 0:50:46 | 0:50:50 | 00:04 |
| Fridge | Harmonics | Happiness | 2001 | | 0:50:59 | 0:51:08 | 00:09 |
| Fridge | Harmonics | Happiness | 2001 | | 0:51:09 | 0:51:55 | 00:46 |
| Fridge | Harmonics | Happiness | 2001 | | 0:51:55 | 0:55:29 | 03:34 |
| Simon and Garfunkel | The Sound of Silence | Wednesday Morning, 3 A.M. | 1964 | Simon only, thanks to Steve Fitch, Dec. 2011 | 0:52:22 | 0:52:23 | 00:01 |
| Michael Crichton | TV captures attention,people spend their lives staring at screens | Looker (1981) director commentary | 2007 | The television can capture attention in a way, and take you away from real life. | 0:52:34 | 0:52:48 | 00:14 |
| Fleetwood Mac | Sara | Tusk | 1979 | Loop | 0:53:15 | 0:53:29 | 00:14 |
| Bill Nelson | The Spirit Cannot Fail | Chance Encounters in the Garden of Lights- (1) The Angel at the Western Window | 1987 | | 0:53:20 | 0:59:54 | 06:34 |
| Wolfgang Amadeus Mozart | Requiem Introitus | Amadeus s.t. | 1984 | Backwards | 0:54:26 | 0:56:17 | 01:51 |
| Fleetwood Mac | Sara | Tusk | 1979 | 11 main going loop | 0:54:41 | 1:06:17 | 11:36 |
| Jonny Greenwood | Open Spaces | There Will Be Blood s.t. | 2007 | | 0:56:35 | 0:59:58 | 03:23 |
| The Feelies | When Company Comes | The Good Earth | 1986 | better fast go guitar loop,offset | 0:57:02 | 0:57:06 | 00:04 |
| Neil Young | Down By the River | Everybody Knows This Is Nowhere | 1969 | Various loops | 0:57:17 | 0:59:15 | 01:58 |
| Bob Dylan | Series of Dreams | | 1989 | Various loops | 0:58:57 | 1:03:35 | 04:38 |
| Ida | My Fair, My Dark | My Fair, My Dark | 2006 | 05 short down loop w drum | 0:59:07 | 0:59:51 | 00:44 |
| Tom Cruise (actor), Paul Thomas Anderson (writer/director) | I will not apologize for who I am | Magnolia | 1999 | I will not apologize for what I need, I will not apologize for what I want | 1:01:23 | 1:01:30 | 00:07 |
| Cat Stevens | If You Want To Sing Out, Sing Out | Harold and Maude s.t. | 1971 | Loop | 1:02:54 | 1:04:47 | 01:53 |
| Cat Stevens | The Wind | Teaser and the Firecat / Rushmore s.t. | 1971 | 02 guitar loop | 1:04:04 | 1:04:13 | 00:09 |
| Cat Stevens | If You Want To Sing Out, Sing Out | Harold and Maude s.t. | 1971 | | 1:04:19 | 1:05:25 | 01:06 |
| Fridge | Harmonics | Happiness | 2001 | | 1:05:04 | 1:08:53 | 03:49 |
| Timothy "Speed" Levitch | The grid plan | The Cruise | 1998 | | 1:05:33 | 1:05:39 | 00:06 |
| Timothy "Speed" Levitch | The grid plan | The Cruise | 1998 | | 1:06:30 | 1:08:32 | 02:02 |
| Ken | Live ambient street sound | | 2012 | | 1:08:53 | 1:09:25 | 00:32 |
| Working Titles: | and do my best to recreate myself
looking at screens
self-induced schizophrenia
the grid plan
why sell a man what he wants?
the decadence of obsolescence
I'm going to keep running
keep running
aligning herself with this civilization
i can't imagine changing my mind on anything
i can't imagine having my own identity
imagine having my own identity | | | | |
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