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| Artist |
Title |
Album |
Year |
Comment |
| Playlist possibly complete, not in order (sources collaged and layered together simultaneously) |
| Barry Bliss | Do Not Call Upon Jesus | Truths Put Into Rhyme | 2008 | Played previous set, present |
| Diane Cluck | beatless wonder | monarcana | 2006 | Present |
| Diane Cluck (vocal), Bernard King (writer), Dan Costello and Doug "Grand Pepper" Principato (piano and Shamisen) | The Wind Comes a Howling | Live at Sidewalk Cafe, 2/20/09 | 2009 | Bernard's poem. Present. Time shouldn't be wasted, should never be wasted. Your eyes are beautiful, and the wind comes a-howling. |
| Scatman Crothers, Stanley Kubrick, Stephen King | When something happens, it can leave a trace of itself behind | The Shining movie | 1980 | |
| James Burke | NYC is a technology trap | Connections, episode 1 | 1978 | |
| TSA & Steve Bierfeldt | Detained in airport for carrying cash | | 2009 | If you have nothing to hide, why don't you just answer the question? |
| Patrick McGoohan | Scene: This farce, this 20th century Bastille that pretends to be a pocket democracy | The Prisoner show (Episode 4: Free for All) | 1967 | Why don't you put us all into solitary confinement until you get what you're after and have done with it? Brainwashed imbeciles! |
| Mogwai | Fear Satan (remix) (scene: Paper mill) | All the Real Girls movie | 2003 | |
| Tangerine Dream | Love On a Real Train | Risky Business s.t. (and Electronic Orgy, 1996) | 1983 | |
| Cowboy Junkies | Sweet Jane | | | |
| Nicolas Cage, Charlie Kaufman, Spike Jonze | I have failed... | Adaptation movie | 2002 | I have failed, I am panicked, I have sold out, I am worthless, what the fuck am I doing here? What the fuck am I doing here? Fuck! It is my weakness, my ultimate lack of conviction that brings me here. |
| Mark Mothersbaugh | Mothersbaugh's Canon | Royal Tenenbaums s.t. | 2001 | |
| Steven Soderbergh | Scene: Nothing that can be confirmed or denied | Schizopolis movie | 1996 | It should be lengthy enough to seem substantial, yet concise enough to feel breezy. It should be serious, with a slight wink. It should lay out a new course of action, but one that can change direction at any moment. If you must mention facts and figures, don't do so directly. The general thrust should remain embedded in one's mind forever, but specific words should be forgotten the moment they are heard. It should contain nothing that can't be confirmed or denied. |
| Albert Brooks, James Spader, Steven Schwartz, Richard Dooling, Sidney Lumet | Scene: Catastrophic Health Care | Critical Care movie | 1997 | They talk about a living will...you don't need a living will, just make sure you don't have money for healthcare, and you'll die a happy fella with a big smile on your face in your own king-sized bed. |
| Wallace Shawn, Steven Schwartz, Richard Dooling, Sidney Lumet | Scene: All those things seem tiny now | Critical Care movie | 1997 | I get to talk to people who, at long last, know what's important! The living make such meaningless distinctions: how should I cut my hair? What kind of a car should I buy? Will interest rates go up? All those things: the products you consume, the politics you debated, the people youi knew...all your life's moments, big and small, they look very tiny now! |
| John Carpenter (director, writer), Ray Nelson (story writer), Keith David, Roddy Piper (actors) | Scene: The golden rule: He who has the gold makes the rules | They Live movie | 1988 | They close one more factory, I'm gonna take a sledge to one of their fancy fucking foreign cars. You know, you ought to have a little more patience. Yeah, well I'm all out. The whole deal's like some crazy game. They put you at the starting line, and the name of the game is make it through life. Only everyone's out for themselves, and looking to do you in at the same time. OK, man, here we are. Here we are, now, you do what you can, but remember, I'm going to do my best to blow your ass away. So, how are you gonna make it? Deliver a hard day's work for the money, I just want the chance, it'll come. I believe in America. I follow the rules. Everybody's got their own hard times these days. |
| Patrick McGoohan | Scene: There are some people who talk and some people who don't...both sides are becoming identical... | The Prisoner show (Episode 2: The Chimes of Big Ben) | 1967 | That's why it doesn't matter who Number 1 is. It doesn't matter which "side" runs the Village. Both sides are becoming identical. What in fact has been created? An international community. A perfect blueprint for world order. When the sides facing each other suddenly realize that they're looking into a mirror, they will see that this is the pattern for the future. |
| Girl Talk (Greg Gillis) | Play Your Part (Pt. 2) | Feed the Animals | 2008 | Journey - "Faithfully," plus beat is probably Yung Berg featuring Dude 'n' Nem - "Do That There" |
| Franka Potente, Benno Fürmann, Tom Tykwer | Scene: Man and woman, sister and brother... | The Princess and the Warrior movie (Der Krieger und die Kaiserin) | 2000 | German |
| Wim Wenders, Solveig Dommartin, Pietro Falcone | Scene: Rich...sleep on it... | Until the End of the World movie (Bis ans Ende der Welt) | 1991 | French |
| Michael Linnen & David Wingo? | Music from kissing scene | All The Real Girls movie | 2003 | |
| David Alexander (director), D.C. Fontana (writer), Leonard Nimoy (actor) | Scene: They rebel against the sterilized, artfully balanced communities, regard themselves as aliens in their own world | Star Trek show. Episode: The Way to Eden | 1969 | |
| Michael Linnen & David Wingo | Hot Tub | All The Real Girls s.t. | 2003 | |
| David Cronenberg | Television signals, projecting fantasies | Directors: The Films of David Cronenberg show | 1999 | Forbidden images coming to you from a distant place that have great resonance for you |
| Ken | Saying things | | 2009 | (Missing from audio archive) |
| Listen to the entire show |
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