Ken's Last Ever Radio Extravaganza:
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Source listing (playlist) (Listen to show) |
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Artist | Title | Album | Comments | ||
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Playlist complete, in order of first appearance (sources collaged and layered together simultaneously) | |||||
Angelo Badalamenti | Laura Palmer's Theme | Twin Peaks s.t. (1990) | One loop | ||
Ken | Remaining calm, without turning off. You do not cease to be when you cease to worry. One second in the future. Is it easy to get in touch with that feeling now? The feeling of being in between those two feelings. I don't mean to give answers. | ||||
Phone caller | Blood per gallon | ||||
Darren Aronofsky, director & writer; Sean Gullette, writer; Mark Margolis, actor | 320, 450, 22, whatever. | Pi movie (1998) | |||
Carter Burwell | Fargo, North Dakota | Fargo/Barton Fink s.t. | Fargo | ||
Phone caller | I was abducted by aliens | ||||
Carter Burwell | Fade Out - The End | Fargo/Barton Fink s.t. | Barton Fink | ||
Phone caller | There is no virus | ||||
Phone caller | How much is DNA per gallon? | ||||
Llewellyn ap Gruffydd | A Shaft of Light Enters the Room | ||||
Phone caller | I'm worried about what kind of music that is playing | ||||
Philip Glass | Chris & the Model Airplane | Undertow (2004) | |||
Phone caller | Twin peaks on the twin ladders | ||||
Darren Aronofsky, director & writer; Sean Gullette, writer, actor; Mark Margolis, actor | The possibilities become smaller and smaller. Maybe, even though we're not sophisticated enough to be aware of it, there is a pattern, an order. | Pi movie (1998) | |||
Phone caller | The answer is 42 | ||||
Phone caller | 46 and 2 | ||||
Phone caller | The answer is god | ||||
Llewellyn ap Gruffydd | Sweet Child of the Sea | ||||
Phone caller | The following sentence is 42 words long | ||||
Phone caller | God is what's between those thoughts | ||||
Phone caller | (Whispering) | ||||
Phone caller | The answer is the lord savior Jesus Christ (it says so in the bible) | There was no time before Jesus | |||
Maurice Jarre | Overture | Doctor Zhivago s.t. (2000) | 2 copies | ||
Phone caller | Jesus is in my memories, the ones that I forgot | Life's easier when you think you know the answers | |||
Phone caller | Perceptivity in perspectiveness is flexivity in connectiveness | ||||
Darren Aronofsky, director & writer; Sean Gullette, writer; Mark Margolis, actor | Hold on, you have to slow down. You're losing it! | Pi movie (1998) | You have to take a breath | ||
NFL Films | The Power and the Glory | The Power and the Glory: The Original Music and Voices | |||
Darren Aronofsky, director & writer; Sean Gullette, writer; Mark Margolis, actor | When your mind becomes obsessed with anything, you will filter everything else out and find that thing everywhere. | Pi movie (1998) | |||
Christian Recordings | Happy Birthday | A house so quiet and humble. A child beside her bed. Her hands clasped tightly. It's time to pray. | |||
Phone caller | Y'all going to have to take this off the radio, y'all taking a bunch of drugs | ||||
Phone caller | When my friends ain't acting all crazy like this here radio station, well, I reckon I just tell 'em to go to hell, leave me alone. | When you get sandpaper stuck in your craw, I reckon it does. Well, I drank a bottle of wine last night, that helped. Well, it felt like somebody took a club to my head. I don't think they mean nothin' to me. Well, my friends down at the lake. Well, when they ain't acting all crazy, like this here radio station. Well, I reckon I just tell 'em to go to hell, leave me alone. Well, I don't know if they really go there, y'know, it's more of a figure of speech, but in my head, I reckon they do. I don't really care much about guilt. I figure it's better to regret something you have done than something you haven't. | |||
George Tyne, director; Ken Levine, David Isaacs, writers; Alan Alda, others, actors | Scene: People are Dying | M*A*S*H, season 7, episode 2: Peace on Us | Brief howdy for now. Later, inescapable as all control lost. | ||
Phone caller | Pi samples felt great, you're the coolest, man. | Yeah, recognition. Yeah. It's very familiar. I always feel unrecognized, but you bring me back. | |||
Darren Aronofsky, director & writer; Sean Gullette, writer; Mark Margolis, actor | You've chosen 216, and you will find it everywhere in nature. | Pi movie (1998) | |||
Phone caller | I can prove that this is a live radio show: Look up in the sky and you will see very large chemtrails. | ||||
Darren Aronofsky, director & writer; Sean Gullette, writer; Mark Margolis, actor | When it is empty, it appears to be simple and ordered. The possibilities of gameplay are endless, just like snowflakes. | Pi movie (1998) | Actually represents an extremely complex and chaotic universe. And that is the truth of our world. It can't be easily summed up with math. There is no simple pattern. | ||
Llewellyn ap Gruffydd | The End | ||||
Philip Glass | Golden Coins | Undertow (2004) | |||
Ricky Gervais & Stephen Merchant, directors/writers | Intro from outtake: Freelove Freeway | The Office DVD | Take 4 | ||
Phone caller | Maybe someone can look up HR 666 | Sooner is better than later to get information, which I'm curious about. Did you say "the empire?" I think empire is a bad idea. (Singing) | |||
Ray Noble & His Orchestra | Midnight, the Stars, and You | The Shining s.t. (1980) | 1932. Al Bowlly vocal | ||
Modest Mouse | Sleepwalkin' | Quiet loop, as used in Ken's Last Ever Radio Extravaganza: Thank You For Making Noise (4/17/04) | |||
Phone caller | That's quite common for these Illuminati lawmakers | ||||
Phone caller | All you have to do is look up in the sky. I feel like everyone is doing the ghost dance. | Everyone is consuming more than they are producing. | |||
Joel Coen, director & writer; Ethan Coen, writer; Billy Bob Thornton, actor; Carter Burwell, music | Scene: I Was the Ghost | The Man Who Wasn't There movie | I didn't see anyone, and no one saw me. | ||
Modest Mouse | Sleepwalkin' | Reversed loop | |||
Phone caller | Hello, is Kendra there? | ||||
Loss of control | |||||
Phone caller | They studied the synapse firing. Post traumatic stress disorder | A shutdown in rational behavior | |||
Phone caller | What you need to realize is, you stymie and flummox their psychological growth | ||||
Rodgers & Hammerstein | Shall We Dance | The King and I s.t. (1956) | |||
Radio | Live radio feedback in studio, as delay ramps down | ||||
Listen to the entire show |
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